Kazuo Ishiguro: Never Let Me Go and Klara and the Sun

Kazuo Ishiguro: Never Let Me Go and Klara and the Sun

Almost the first thing I think of with Kazuo Ishiguro is the beguiling, perplexing mixture of the innocence and craftiness of his narrators, the puzzle of what they do and don’t know and what they are willing to tell us at any given moment. But today I find myself thinking about the ways in which the world looks back at those narrators, as in Never Let Me Go, which Ishiguro has described as an “alternate history,” and in Klara and the Sun, an emotionally realist approach to sci-fi.

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Sigrid Nunez, The Friend, and Kazuo Ishiguro, An Artist of the Floating World: The Slowly Emerging Story

Sigrid Nunez, The Friend, and Kazuo Ishiguro, An Artist of the Floating World: The Slowly Emerging Story

My neighbors have a new puppy, Gemma. I first learned about Gemma, though not in a way I could understand, from another long-time member of that family: Juliet, a friendly tabby who has a timeshare interest in the soft reading chairs on our back porch. She came running up to me, meowing wildly, as I was out for a walk. I petted her, but she continued complaining, looking over her shoulder, unable to calm down enough to roll on the sidewalk and allow me to stroke her ears. I said to her, “What is it, Juliet, are you sick, what’s the matter?” But of course she had no way of telling me what was really going on. After a few days of encountering Juliet in this agitated state, I finally met Gemma, an exuberant and tiny terrier mix, capable of leaping at least a couple of feet in the air in ecstatic greeting. She tied herself in wriggling knots, flinging herself at me and licking my hands, while my neighbor, holding her leash, both laughed and rolled her eyes.

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