Mohsin Hamid, Exit West: A Novel

Mohsin Hamid, Exit West: A Novel

In the last month or so, I finally read Percival Everett’s James (just as great as everyone says—couldn’t stop reading it, wept over the ending, etc.), Miranda July’s All Fours (deliberately unnerving and squirmy, defiant, earnest, and very intriguing in its take on what it means to make a home, emotionally and physically), and Claire Keegan’s Small Things Like These (devastating, in that Claire Keegan way). But Mohsin Hamid’s Exit West turned out to be what I wanted to write to you about. A lot of people are writing brilliantly about these brand-new books, so it feels like they’re covered. And although Exit West is the oldest of these books, it felt like the one most immediately in conversation with the news I also can’t stop reading. Also, Ron’s teaching it. So I also reread it, and we’re talking a lot about this novel that feels honest about the daily costs of war, the fear and boredom and dislocation of life as a refugee, but that’s essentially hopeful and a pleasure to read. The worst can sometimes happen. But there are other fates besides the very worst, for many people, and there’s something to be learned from inhabiting an experience that’s full of loss but not only loss.

Read More

David Haynes on Right by My Side

David Haynes on Right by My Side

(Guest post by David Haynes)

“I’m a very dangerous boy. I’ve been known to say almost anything.”

Marshall Fields Finney said that.  He’s the narrator in Right by My Side, which was my first novel. It’s fair, I think, to consider the first paragraph of my own book for the MPP—since I don’t remember much about writing the book, and it is, after all, now an official “Penguin Classic.” Which has been my occasion for revisiting Marshall and company, thirty years after publication and close to thirty-seven years after hearing that first line in my head. When a book is reissued, you are assigned by your editors to read it again in search of necessary updates, mostly copyediting errors that slid by the first time (a painful subject for a different essay). So, I did, and it very much felt like reading any book that’s new to you for the first time—until it wasn’t, until it was like, “Oh, I remember this guy.”  Both Marshall and the guy who dreamed him up, that is. And still that first paragraph blows me away, in that way that openings that stick with us tend to do. 

“I steal.”[1]

“I was not there, yet I was there.”[2]

“When I was little I would think of ways to kill my daddy.”[3]

“I am born.”[4]

Read More